The Equipment

 


The RECORDER
ebenerdig, Tageslicht, klimatisiert


CONTROL ROOM:
Oswald-Akustik, 35 qm "Live End+Dead End" – Prinzip

MONITORING:
Genelec 1033A
Nearfield Monitoring: Adam A7X, Yamaha NS10, Auratones

CONSOLE:
API 1608+16 Channel Expander (32 Channels)
4xAPI 460 Graphic EQ
4xAPI 550B Parametric EQ
8xAPI 550A Parametric EQ
2xAPI 525 Comp
2xPurple Audio Action Comp
2xSSL 611 Parametric EQ
12xNeve 5106 Channel Strips


RECORDERS:
Otari MTR 90, MK II,24 track analog
CLASP 24  (Closed Loop Analog Signal Processor)
Harddisk Recording: Mac G5 Dual Core
ProTools HD5 (1 Prism Sound Dream ADA-8XR, 2 DigiDesign 192) 24IN 32Out

DYNAMICS:
1xSSL Xlogic G-Seiries Comp
1xCrane Song-Trakker Comp
1xADL Stereo Tube C/L1500
2xDBX 160 Tube Comp
1xAudio Design F 760X-RS Compex/Limiter
1xHÖFEX Audio Comp./Lim.
1xBSS DPR 402 Comp.Lim.Deesser
1xLawo Tube Comp
1xSymetrix Sat Voice Processor
1xBBE 862 Sonic Maximizer
1xHöfex Audio Exciter
1xA Designes HM2 EQ Hammer
1xMindprint DTC
1xDramwer DS 201 Dual Gate

MIC PRES`S:
1xUniversal Audio LA-610 MKII
1xPWT 104-2 (Peter Willensdorfer)
2xLawo Tube
1xMindprint DTC


EFFECTS:
1xLexicon 480L Digital Reverb
1xLexicon PCM 70 Digital Reverb
1xRoland SRV 2000 Digital Reverb
1xRoland Dimension D SDD320
1xYamaha SPX 1000 Multi Effect
1xYamaha SPX 900 Multi Effect

RECORDING ROOM I:
49qm, Live + Dead End, 2 UREI 809 Monitors, Yamaha Piano

RECORDING ROOM II:
6qm

MICROPHONES:
Neuman, AKG (especially C12), Shure, Sennheiser, Audix

HEADPHONES:
AKG, Sennheiser, Beyerdynamic

CUE MIX:
Hear Back
  
  
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